While we’re on the topic, let’s not forget how comparing what was meant to be an hour-long (perhaps one and a half, two?) play to a television series adaptation spanning a likely 26 episodes, is ridiculous. I mean, ridiculous on a scale of comparing all twelve volumes of Death Note to the two 45+ minute movie adaptations and gnashing your teeth while going “THEY TOTALLY SHAFTED THE FANS, I WANT MY MELLO/NEAR/OBSCURE SIDE CHARACTER/ANIME-EXCLUSIVE YAOI FOOT WASHING SCENE”. So let’s not get into that.

Since we’re going for the jugular, why not stop too with the Gonzo bashing for a second to realise that, shock and horror: judging an anime based on its predecessors’ performance, and the animation studio responsible for said predecessors, is pretty dumb. No, maybe exceedingly blind is a better way of putting it. If you thought the KyoAni fans were bad enough, ladies and gentlemen, I present to you a victim of shoddy plot, form over function, exceedingly short-sighted expectations, and jaded cynicism — the Gonzo hater.

Late Nanoha fan here. Think it was the beginning of this year or around November last, when I kept on seeing a recurring face among the posts of /a/. Some hushed whispers about it being QUALITY, and there was all manner of Photoshopped pictures on blogs everywhere. After awhile I couldn’t stand it and decided to get the two seasons to see what the fuss was all about. It reminded me of Cardcaptor Sakura, what with the magical staffs and all.

I couldn’t have been more wrong. Nanoha is the type of series that comes along ever so often and reinvents the genre wheel. The tag “post-mahoushoujo” comes to mind, because, like Touhou, the stigma that once came along with adoration of little girls with magical powers — it’s all gone now. Well, maybe the little girl part still is stigmatized, but it’s generally okay nowadays for a young adolescent male to go about singing praises of an anime rooted in the series.